arflex plans a journey through Italy to rediscover and savour the history of expert artisan culture.
It encompasses historical and modern architecture, meeting different people who are the guardians of international taste and ideas.
arflex brings to this journey its ability to synthesize design, quality, use and heart.
Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.
The simple image makes the sofa reassuring in its contemporaneity; Leenus is a modular seating system, that allows the adjustment to countless furnishing spaces.
Generous proportions and a friendly, soft, but still very architectural geometry defines the Tokio sofa collection.
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.
To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".
Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the
Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.
Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique
Strips bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added.
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